Streichquartett & Gürteltier

D. J’s. compositions and arrangements, which are the core of this musical project, are an example of the crossover between classical instrumentation and the folkloristic Charango.

Here, the South American string instrument of the central regions of the Andes, leaves it’s traditional grounds as an accompanying instrument to emerge as a solo instrument into the foreground. Classical notation, free improvisation and the rhythmic diversity of South American music forms coherence full of contrast.


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