WORK LIST
1995 "Vení”
for cello and 24 bottles
1996 "Suite para charango solo"
Baiao Alemao | Baguala by doña Luchi | Chamarreando
2000 "Charango Suite"
Charango and String Quartet
Baiao Alemao | Baguala by doña Luchi | Chamarreando
2006 "Danzas del Amazonas"
Ballet Suite|A didactic suite in eight movements for orchestra on South Americanrhythms
2007 "Guerra de Yacares"
Orchestral suite in three movements
2009 "Misa Nueva"
A NEW MUSIC FAIR for soloists, organ, choir and chamber ensemble
Kyrie - Gloria - Sanktus - Credo - Agnus Dei
2010 Los Tallos Amargos
Concept for an improvised opera
2013 "Sinfonia Sudaca"
Orchestral work for youth orchestra in three movements
2017 "Pontyado"
Charango and String Quartet
2018 "Suite Folklorica"
flute, oboe and piano
2019 "Charango Miniatures"
Charango Sunlo
2021 "Charango Miniatures XXL”
Charango and string quartoetc
2022 "Acuarelas Latinas"
Charanago, string quartet and percussion
"Veni"
for cello, alto flute and 24 bottles
"Suite para charango solo"
Baiao Alemao | Baguala by doña Luchi | Chamarreando
In 1993 he wrote the movement “Baguala de Doña Luchi” in Rome, first as a charango solo, which Diego later worked on during his student days as the middle movement for his first composition for string quartet and charango, the Charango Suite. This sentence is dedicated to his mother Lucia.
"Charango Suite"
Baiao Alemao | Baguala by doña Luchi | Chamarreando
The Charango Suite was created during my composition studies with Dr. DH Feinstein in 1999 at the Kassel Music Academy.
The movements are based on motifs and rhythms from South American folklore:Baiao, a rhythm from northern Brazil,Baguala and Chamarita are Argentine rhythms.
"Danzas del Amazonas"
Ballet Suite
A didactic suite in eight movements for orchestra on South American rhythms
"Misa Nueva"
A NEW MUSIC FAIR for soloists, organ, choir and chamber ensemble
Kyrie - Gloria - Sanktus - Credo - Agnus Dei
Composition on the occasion of the anniversary celebrations
of Soest Cathedral on July 9, 2011
Los Tallos Amargos
Concept for an improvised opera
The opera is based on the award-winning story "Los tallos amargos" by Adolfo Jasca, Diego's father.
"Sinfonia Sudaca"
Orchestral work for youth orchestra in three movements
The Sinfonia Sudaca is an orchestral work for youth orchestras in three movements, which was written on the occasion of the project "World Orchestra Kassel 2013" - music brings the world into harmony for the 1100th anniversary of the city of Kassel.
The fusion of Latin American rhythms with great orchestral sound is the guiding principle of this composition.
Version for string quartet and charango with the Hába Quartet: First sentence Baiao
"Pontado"
Charango and String Quartet
"Suite Folklorica"
flute, oboe and piano
"Charango Miniatures"
Charango Solo
"Charango Miniatures XXL"
Charango and String Quartet
Miniature I
Miniature II
Miniature III
The Charango Miniatures XXL for Charango, string ensemble and percussion are a further development of the Charango Miniatures, which were presented in the summer of 2020 as "companions" for the summer of 2020 in the concert series"Five o'clock concerts in the fresh air"developed.
These airy compositions and improvisations were created for the Kassel audience of the concert series at changing green locations in Kassel in the summer after the first lockdown.
In the winter of 2020/21, three miniatures were worked out as a composition for a larger cast (XXL) and premiered in the summer of 2022, again as part of the "Five o' clock" concert series with a string ensemble from the Kassel State Orchestra.
"Acuarelas Latinas"
Charanago, string quartet and percussion
Cumbia | Vals lento | La Bluesera
The concept of watercolor stands for the dissolution of solid contours and opens up the form.
The composition was created in spring 2022 on the occasion of the International Fredener Musiktage. Cumbia, Vals and Chacarera are the rhythmic cells that make up this suite.
"The first performances of "Acuarelas latinas" (...) all-round feel-good music. (...) The middle movement of the "Acuarelas" was particularly enjoyable, a deeply sad, slow waltz in which Adrian Adlam briefly took over the first violin with wonderful melodic mellowness."
Alsfelder Zeitung, August 2022, world premiere of “Acuarelas Latinas”